(in Italian called LUCERNA)

home page origin of my research a brief history of silver oil lamps

versione in Italiano

A selection of silver oil lamps (in Italian oil lamp is called "lucerna" )

After several centuries in which oil lamps (lucerna) have fallen into disuse, they became popular again around the mid 18th century in the form of a silver lamp with a reservoir, applied to a long rod, and supported by a large base (usually wood weighed). This new production of silver oil lamps was restricted to Italy, with many being produced in Rome and Papal State, and more limited quantity being produced in Naples, Milan, Genoa, Venice and Florence. Some examples have Maltese hallmarks, mostly destined for customers in Naples and other cities in Southern Italy.
At the beginning of the 19th century, the neo-classical taste resulted in the production of figural oil lamps in which the reservoirs are supported by human figures (mostly in Egyptians clothing), Greek or Roman Divinities (especially Mercury) and, sometimes, animals.shade of a silver oil lamp silver oil lamp: snuffer, tweezers, estinguisher

Most lamps were provided with a shade and were equiped with snuffers, tweezers and estinguishers hanging from chains applied to the rod. A pecualiarity of some lamps made in Genoa is the glass reservoir. Production of silver oil lamps ceased in the late19th century when more efficient sources of illumination became available, even if a limited production survived in the 20th century exclusively for decorative purposes. The photos that follow depict some examples of silver oil lamps.

silver oil lamp -silversmith Vincenzo Bugarini shade of silver oil lamp-silvesmith Vincenzo Bugarini Rome 1807/1837, silversmith Vincenzo Bugarini. Four wicks spouts in shape of animal heads. The shade is decorated with the Chigi coat of arms.

Rome, around 1780, silversmith Vincenzo Belli. Shade decorated with two butterflies silver oil lamp - silversmith Vincenzo Belli
silver oil lamp - Rome circa 1835 silver oil lamp: figural finial Rome, around 1835, decorated with a figural finial depicting an angel with a shield
shade of silver oil lamp Rome, around 1820, silversmith Filippo Pacetti. The lamp has parts from other makers, the handle is by Vincenzo Bugarini, the butterfly-form shade has a maker's mark not clear, the tweezers are by G.L. Valadier, the snuffer and estinguisher are of later date silver oil lamp - silversmith Filippo Pacetti
silver oil lamp - silversmith Vincenzo Parenti silver oil lamp - lyre finial Rome, around 1820, silversmith Vincenzo Parenti, snuffer and shade of other silversmiths. ).
Genoa, hallmark 1752. The lamp has a crystal reservoir. The use of crystal for oil reservoir is a typical of Genoan lamps Genoa silver oil lamp 1752
Rome, 1825, silversmith Girolamo Menazzi. Stem is a column supporting reservoir with four wicks spouts in the form of human heads. The lamp has chains for its maintenance accessories silver oil lamp - silversmith Girolamo Menazzi
silver oil lamp - Rome 1830Rome, 1830. reservoir with one spout held by a figure over a globe

Rome, 1814, silversmith Antonio Mattei. Mercury was the favourite among Divinities and was frequently used for figural oil lamps   Mercury oil lamp - silversmith Antonio Mattei

Rome, 1820, silversmith Roberto Tombesi. The female figure holding reservoir is in bronze. The shade was fitted with parchment paper (now missing)       silver oil lamp -silversmith Roberto Tombesi
Rome, 1805, silversmith Antonio de Caporali. Silver, bronze and polychrome marbles. A typical example of "retour d'Egypt" style which spread after Napoleon's campaign in Egypt    retour d'Egypte silver oil lamp
Rome, 1810, silver and bronze. Another example of "retour d'Egypte style"       retour d'Egypte silver oil lamp
Perugia, 1830, silversmith P.P. Rancini. A winged Cupid supports a one-spout reservoir and the shade in the form of a butterfly
              winged Cupid silver oil lamp - silversmith P.P. Rancini

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